There are several
aspects to my vicarious life that I will address throughout my life story (current
WIP, some of which I might blog). I am focusing on the trapped singer inside my
body here. If I could do anything just once, I would choose to sing all my
emotions out in one killer song. I’m not sure which song I would choose but I
am certain I would want to sing it exactly the way Beth Hart sings “I’d Rather Be Blind”.
I am attaching links to a video of her singing the song straight through, because
the vocals and guitar are perfection - and to a vocal coach reviewing that video.
ALSO
- Joe Bonamassa’s guitar solo in this is as close as it gets to hearing my second husband play again - the tone and style are much like his.
Beth’s
delivery of this song exemplifies my core - my soul, my dreams, my pain, my
life, the best and worst of me and my life, my deepest emotions, my path and my
past, my addiction to emotion, my passion, my talent (both realized and
unrequited), my childhood and my adulthood, my innate knowledge of what I need
to do but haven’t managed to accomplish – so my biggest failure. If you listen
to the video with the vocal coach reviewing, you’ll know exactly how I listen
to music.
Even though
I sang at home, probably enough to drive my parents crazy during my fascination
with opera, once I got to school and was made a ‘listening bird’ in singing
class, I kept it only at home and tried first to release this need through
playing the accordion. I wanted piano but when I first started (age 7) we lived
in a small house and didn’t have room for a piano. I settled for accordion and
was grateful later when I realized that back then it wouldn’t have been
possible to carry my own piano around.
I enjoyed
making music, alone or with others, at a young age.
On weekends
when we gathered with the families of my parents’ friends, I was happier inside
with the men who were playing music than I was outside playing with the kids,
so I took my accordion and they allowed me to sit it. I learned “Carnival of
Venus” for Bill Lynch, the first guitar player whose music I fell in love with,
and “Harbor Lights” for my Uncle Charlie because he insisted it was the only
song worth listening to. I also played solo, group, and band in American Guild
of Music competition, and in local bars (yes, boomer kids got to go in bars)
and concerts. So, carting around an instrument was part of my life.
My dad’s
best friend played guitar and sang, alone and with other musicians. I spent
many hours listening to him.
I played out
my teenage angst and mourned my first divorce on that accordion. I also got
seated in the supply closet in typing class because the teacher insisted that I
had to be cheating to get 120 wpm on a standard typewriter when the truth was,
my fingers were practiced and limber e enough to do that.
But no
matter how much I played or what level of success I reached on the accordion it
never satisfied my need to sing. So, I started living vicariously through other
musicians and singers, particularly one singer.
The first time I heard her sing, she probably hadn’t reached her teens
yet. I was in a mall with my parents and siblings when her amazing voice
silenced us (not an easy task with my family) and drew us, along with hundreds
of shoppers, some coming out of stores, to the area where she was performing.
She was amazing even before we saw it was a child but more so then. Years
later, when she was twenty, our paths would cross again when she hired the man
I was dating as her band leader and lead guitarist. I spent the next twenty
years listening to her sing and doing everything I could to make her famous.
The making
her famous part was because I thought she was good enough to be famous but also
because I carried a tiny bit of responsibility/guilt for making her lose that
opportunity. When I met her, she was twenty years old. Her father had
controlled her career since she was six and now, she had a backer with deep
pockets and many conditions. He wanted (as did her father) to keep her innocent
little girl image so her mother had to be with her on the road, overseeing
every move she made. Eventually, they allowed me (I was twenty-seven) to be her
chaperone if her mother couldn’t be present. She fell in love with her bass
player and kept it secret for a while but grew tired of that arrangement. When he
asked her to marry him and get out from under the controlling hands that held
her, she talked to me about it and I encouraged her to follow her heart. She
did and the backer dropped her – after investing a couple of million dollars in
her. Part of me believes he was a bit perverted to want to own her private life
and the other part wonders what if. Maybe she should have waited for him to
release the first album and make herself known before following her heart. It
was ultimately her decision and I supported it.
I sat in
bars, hotel lounges, concert halls, night clubs, television audiences . .
. for years, listening and encouraging,
across the country, before during and after my marriage to her guitarist. I was
always *there* when she was down, when she had candle and Tupperware parties,
when she needed batteries for her mic, when she needed someone to walk her in
because there were motorcycles in the parking lot, when she wanted someone to
ride home with so she didn’t have to stay for equipment breakdown and truck
packing, when she had a meeting in Nashville and didn’t want to go alone . .
. My friends said she used me. I said
they didn’t know it was the opposite. As with my kids, if she accomplished what
I wanted, I knew I would be as happy for her as I would have been for myself.
And, no
matter how badly my life was falling apart around me and it did while I knew
her – my father was diagnosed with cancer and died, I went through a horrendous
divorce, a major corporation sued me, I bought the money-pit house and lost
what little money I had left after the divorce judge gave half of everything I
owned before the marriage as well as everything we bought during the marriage
to the husband who made much less, I was assaulted, I was determined to be
totally and permanently disabled . . .
No matter what was happening, I knew if I sat somewhere listening to her
sing the rest of the world disappeared for that length of time. We used each
other.
She gave me
many memories to use. My favorite was riding with her to a competition. She
drove a van that apparently had great acoustics and wanted me to critique as
she practiced. Her song was “Down on My Knees” recorded by Trisha Yearwood, who
is tough to beat. My friend out-sang Trisha on that one. Listening to her sing
that song repeatedly as she drove was overwhelmingly satisfying – the
uniqueness of having so much soul and pain without grit impacted me, believing
that no one could possibly beat her (she took first in the regional, third in
the national) was exciting, and her ownership of “love is not a matter of
pride” made me love her as much as I loved her voice.
In the end,
she didn’t deliver. She was more content to be a big fish in a small pond. If I
had had her talent or she had had my drive and courage, one of us would have
realized our dream.
As a young
adult my brother and his friends played a lot of music in the basement and in
bars. I was always there. Both of my husbands played guitar and sang, one
professionally, as did another man in my life after them, and had a number of
friends who were musicians and singers. My daughters both took vocal lessons –
the older didn’t let me listen and the younger sang nonstop in my home for
years. When any of my friends or family were successful, it eased the pain of
my inability to do it myself.
In the end,
though, nothing short of singing like Beth Hart, Haley Reinhart, and Karise Eden combined will satisfy this
need. I’m putting it on my agenda for next life.